https://www.ardencone.com/ardencone2015-2016 daily 0.75 2024-12-31 https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1513382741019-R1HX1PZ6UWAJO9AD30LW/%284%29+fulbright.jpg Gilt Laden (2015-16) - “Sabotage,” Oil and Spray Paint on Panel, 2016, 36” x 37.75” https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1513382741019-R1HX1PZ6UWAJO9AD30LW/%284%29+fulbright.jpg Gilt Laden (2015-16) - “Sabotage,” Oil and Spray Paint on Panel, 2016, 36” x 37.75” https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1513382768527-38M8HLKD63KXOICFBDHO/%285%29+fulbright.jpg Gilt Laden (2015-16) - “Trying to Feel the Storm,” Oil and Spray Paint on Canvas, 2016, 28” x 23.5” https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1513382758818-CH7BPEHVKV0SPPI1LNGK/%286%29+fulbright.jpg Gilt Laden (2015-16) - “Inheritance,” Oil and Spray Paint on Velvet Upholstery, 2016, 23” x 36” https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1513382760035-SF55Z2O0HAD76UM464UK/%2814%29+fulbright.jpg Gilt Laden (2015-16) - “Gilt,” Oil and Spray Paint on Panel, 23” x 19” https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1513382781024-ROAJU8GJIM5378NFMCTI/9+One+Fell+Off+And+Bumped+His+Head.jpg Gilt Laden (2015-16) - “Heirloom I,” Oil and Spray Paint on Canvas, 2015, 48” x 43.5” https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1513382800316-D94UXOXHBTDNFC3DIBKQ/guilt+guilt.jpg Gilt Laden (2015-16) - “Dilemma,” Spray Paint on Refurbished Gilt Mirror, 2016 https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1513382867032-EK4WJHICLUFODHF80EH4/mirror+chained+link.jpg Gilt Laden (2015-16) - “What’s Stopping You?” Oil and Spray Paint on Gilt Mirror, 2016, 21.5” x 26.5” https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1513382991305-O5SF63953A13H991BXLW/splatbackfinal1.jpg Gilt Laden (2015-16) - “Heirloom II,” Oil and Spray Paint on Canvas,” 2015, 22”x84” https://www.ardencone.com/ardencone2017 daily 0.75 2024-12-31 https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1513378552181-VJ0NP89F0YZ9ZKG01K6K/fire5.jpg Hell and Half of Georgia (2017) https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1513378552181-VJ0NP89F0YZ9ZKG01K6K/fire5.jpg Hell and Half of Georgia (2017) https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1513378642872-NASHNE87VT7XRZ9C8K05/%281%29+fulbright.jpg Hell and Half of Georgia (2017) - "Clifton Plantation," 2017, Oil and Spray Paint on Panel, 20"x20" https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1513378642989-9VT4GJW2KTH9MSQYJ2A7/%282%29+fulbright.jpg Hell and Half of Georgia (2017) - "Forks of Cypress Plantation," 2017, Oil and Spray Paint on Panel, 20"x20" https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1513378651946-PZMLKUDKSE9VINJ1WBO2/%283%29+fulbright.jpg Hell and Half of Georgia (2017) - "Casulon Plantation," 2017, Oil and Spray Paint on Canvas, 24"x28" https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1513378666492-V1G5IXRO4GLORSKR84X4/%2819%29+fulbright.jpg Hell and Half of Georgia (2017) - "Ruins of the Pinckney Mansion, Charleston, 1865, SC," 2017, Oil and Spray Paint on Panel, 49.75"x43.25" https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1513378674508-4201T6ANEBE4JGJDX1GU/%2820%29+fulbright.jpg Hell and Half of Georgia (2017) - "Ruins of the Charleston Hotel, 1863," 2017, Oil and Spray paint on Panel, 49.75"x43.25" https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1513378660505-A60VMIU7LD6H3FOLS9X7/%2816%29+fulbright.jpg Hell and Half of Georgia (2017) - “The New York Times, October 20, 1862: Pictures of the Dead at Antietam,” 2017, Ink Transfer and Spray Paint on Panel, 9.25”x 24” (each) https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1513378672263-70MNQW52637JGYU20SCZ/bradyreview1862+detail.jpg Hell and Half of Georgia (2017) - (detail) “The New York Times, October 20, 1862: Pictures of the Dead at Antietam,” 2017, Ink Transfer and Spray Paint on Panel, 9.25”x 24” (each) https://www.ardencone.com/ardencone2018 daily 0.75 2024-12-31 https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1513382490752-E5S0QDFPIJJ9TOADBHT5/%289%29+fulbright.jpg Supper is Served (2018) - Installation documentation of a series of eight handmade ceramic plates at the Gibson House Museum (circa 1860, Boston, MA) rendered in oil and spray paint, 2017, dimensions variable. https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1513382490752-E5S0QDFPIJJ9TOADBHT5/%289%29+fulbright.jpg Supper is Served (2018) - Installation documentation of a series of eight handmade ceramic plates at the Gibson House Museum (circa 1860, Boston, MA) rendered in oil and spray paint, 2017, dimensions variable. https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1513382503363-RNEK31SNRFZLPYA8V3XA/yankeeskilledsantafinal.jpg Supper is Served (2018) - "The Situation, 1863: The Yankees Killed Santa Claus," 2017, Oil on Ceramic Plate, 11.5 diameter https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1513382486218-2V491K34HLWX4HYJGOP9/divineretretributionfinal.jpg Supper is Served (2018) - "The Situation, 1863: Divine Retribution,” 2017, Oil on Ceramic Plate, 11.5 diameter https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1513382490868-J0JYBI7E2XMTER2PELBF/leaveherbehindfinal.jpg Supper is Served (2018) - "The Situation, 1863: Leave Her Behind?" 2017, Oil on Ceramic Plate, 11.5 diameter https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1513382494435-TOOP8ZJN87O84W6K96WR/sexyconfedfinal.jpg Supper is Served (2018) - "The Situation, 1863: Sexy Confederate Soldier Costume," 2017, Oil on Ceramic Plate, 11.5 diameter https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1513382495696-PI3JL0AXWYAG77U3QHLV/shootingtheshitfinal.jpg Supper is Served (2018) - "The Situation, 1863: Shooting the Shit," 2017, Oil on Ceramic Plate, 11.5 diameter https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1513382499555-31UZEX1GFM4N52MZROG7/snowballfinal.jpg Supper is Served (2018) - "The Situation, 1863: Front Line Snowballs," 2017, Oil on Ceramic Plate, 11.5 diameter https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1513382501117-YF8FAT80C9KC7IGLAUEY/warwarwarfinal.jpg Supper is Served (2018) - "The Situation, 1863: War! War!! War!!!," 2017, Oil on Ceramic Plate, 11.5 diameter https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1513382481992-BRLVZUKR2GME56AGXGPV/%2812%29+fulbright.jpg Supper is Served (2018) - "The Situation, 1863: Who Were the Bad Guys?" 2017, Oil on Ceramic Plate, 11.5 diameter https://www.ardencone.com/ardencone2019-2021 daily 0.75 2024-12-20 https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1602525211683-0I3OQORXARIKJDZCG7R0/flag+far.jpg Red State Blue Blood (2019-21) https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1642206422447-HCH9L91OS2RZOS90RXAN/IMG_1815.JPG Red State Blue Blood (2019-21) - Arden Cone “As the Words Fell to Dust, They Did So in Twos,” acrylic, gold leaf, and collected barn dust on glass https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1642206425538-OGLPBFBJS3TXS890RPMA/IMG_1816.JPG Red State Blue Blood (2019-21) - Arden Cone “As the Words Fell to Dust, They Did So in Twos,” (detail), acrylic, gold leaf, and collected barn dust on glass https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1655773413648-PW2N4JCOU3P17J2MNCCI/image-asset.jpeg Red State Blue Blood (2019-21) - Arden Cone “Don’t Tread on Hallowed Ground (US Capitol Building, Statuary Hall,)” 2021, Oil, spray paint and red clay on panel, 28” x 28” https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1655773412948-OFTB6SFPRVP3XET3JT8F/image-asset.jpeg Red State Blue Blood (2019-21) - Arden Cone “Don’t Tread on Hallowed Ground (US Capitol Building, Statuary Hall,)” detail, 2021, Oil, spray paint, and red clay on panel, 28” x 28” https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1637557059621-B7SYAZTNR1GK7LJ9MX09/10+cone.jpg Red State Blue Blood (2019-21) - Arden Cone “Dust Print I,” 2021, Barn dust, adhesive, and shellac on feed bag, 16.5” x 16.5” https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1636565994200-9PVHB5VH807BQKWGP6ZS/11+cone.jpg Red State Blue Blood (2019-21) - Arden Cone “Dust Print I,” detail, 2021, Barn dust, adhesive, and shellac on feed bag, 16.5” x 16.5” https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1602523864344-0XX3YICEXHEFFIBDI6G1/flag+far.jpg Red State Blue Blood (2019-21) - Arden Cone “Blue Collar Dream, 2020, Hay bailing string, cotton, denim, indigo dye and wire, ” 53” x 102” https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1602523865172-PMCO836ZVQ2GKLIH13RV/flag+close.jpg Red State Blue Blood (2019-21) - Arden Cone “Blue Collar Dream (detail),” 2020, Hay bailing string, cotton, denim, indigo dye and wire, ” 53” x 102” https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1666850885928-VLCIZJP0EILQ8YDX1QEN/IMG_1921.JPG Red State Blue Blood (2019-21) - Arden Cone “She Pulls the Strings ( The Mare),” 2022, horsehair, spray paint, ash, indigo dye and burnt upholstery, 31”x16” https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1666850904350-AHYI52WMK6DFU481QWZX/IMG_1927.JPG Red State Blue Blood (2019-21) - Arden Cone “She Pulls the Strings ( The Mare),” 2022, horsehair, spray paint, ash, indigo dye and burnt upholstery, 31”x16” https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1631620305947-P06VGIE8RRBWV2P7I9CH/1+Cone%2CThe+Bounty+of+My+Land.jpg Red State Blue Blood (2019-21) - Arden Cone “The Bounty of My Land,” 2021, fescue hay, acrylic, and graphite on poly tarp, 46” x 67,” https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1614213836831-8P2KZ1X6GPXT5S1YAEEE/image-asset.jpeg Red State Blue Blood (2019-21) - Arden Cone “The Golden Calf, (detail),” 2021, found barbed wire, rubber and hay bailing string on wood-framed mirror https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1614213607748-62QP89Y49TU8AQNTJLDL/image-asset.jpeg Red State Blue Blood (2019-21) - Arden Cone “The Golden Calf, (detail),” 2021, found barbed wire, rubber and hay bailing string on wood-framed mirror https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1631620881495-R179JH5GZCULSARC0ULG/IMG_1741.JPG Red State Blue Blood (2019-21) - Arden Cone "What I Caught Instead of Dreams (Forgotten),” 2021, horsehair, hay net, found barrel ring, red clay, upholstery and two months of barn dust, 25” x 25” https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1631621275969-FLF0KH76V00KH01KBH2B/what+i+caught+reduced.jpg Red State Blue Blood (2019-21) - Arden Cone "What I Caught Instead of Dreams (Forgotten),”, detail, 2021, horsehair, hay net, found barrel ring, red clay, upholstery and two months of barn dust, 25” x 25” https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1613269679703-3GC10YA1584RPN0W3JEU/IMG_1671.JPG Red State Blue Blood (2019-21) - Arden Cone "State of the Union," 2021, cut paper, 8.5" x 19" https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1604532165592-WL812ZEWUZXOKJRQYOMP/platter%2Bdoor2.jpg Red State Blue Blood (2019-21) - Arden Cone Installation documentation of "Stake a Claim, (Homage to Josephine)" (Red clay on silver plated platter) in Landrum, SC https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1602523875880-XHRDTTACLMZQ89XB7195/platter.jpg Red State Blue Blood (2019-21) - Arden Cone “Selling the Family Silver,” 2020, Acrylic and Spray Paint on Poly Tarp, 26” x 36” https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1604532040274-QJ0RJNKAOTXF87PSY2WZ/platter+tree+.jpg Red State Blue Blood (2019-21) - Arden Cone Installation documentation of "Stake a Claim, (Homage to Josephine)" (Red clay on silver-plated platter) in Landrum, SC https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1602523922421-HPV19004I8O7C72N6546/barrel+ring+far.jpg Red State Blue Blood (2019-21) - Arden Cone “Back 40 Liquor Store,” (detail), 2020, found metal barrel rings, 46” x 46” https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1602523920617-1OQYWJSYPCBX4N75EYPN/barrel+ring+close.jpg Red State Blue Blood (2019-21) - Arden Cone “Back 40 Liquor Store,” (detail), 2020, found metal barrel rings, 46” x 46” https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1602523881868-200RSG4O5WX7O77YINBY/above.jpg Red State Blue Blood (2019-21) - Arden Cone “The New South,” 2020, Indigo, Red Clay, and Wire on Canvas, 48” x 55” https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1607005221787-1OTGACGCMYS3Q826PC2G/tire+close.jpg Red State Blue Blood (2019-21) - Arden Cone "Nostalgia," 2020, Spray paint, found barbed wire and double-end snaps on found rubber tire, 67" x 34" x 34” https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1607005253193-H9HH3BXKFCXMLLPYCTD9/tire+barbs.jpg Red State Blue Blood (2019-21) - Arden Cone “Nostalgia" (detail), 2020, Spray paint, found barbed wire and double-end snaps on found rubber tire, 67" x 34" x 34” https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1602523853814-AVB4YC4H0MV16XCOR9HG/welcome+mat.jpg Red State Blue Blood (2019-21) “Bless Your Little City Slickin’ Heart,” 2020, Red Clay and Charcoal on Carpet, 28” x 18” https://www.ardencone.com/ardencone2021-2023 daily 0.75 2024-12-20 https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1703004157877-XBW3EDKH9RN4559FZN4U/image-asset.jpeg Creosote Tears (2021-23) - Arden Cone Installation of "The Mileage," "Passage," and "Memories (They Never Tread Lightly)" at Upstairs Artspace, 2023 https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1703004157877-XBW3EDKH9RN4559FZN4U/image-asset.jpeg Creosote Tears (2021-23) - Arden Cone Installation of "The Mileage," "Passage," and "Memories (They Never Tread Lightly)" at Upstairs Artspace, 2023 https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1654544047709-XN324ZTOH0OA4TEBAW2Q/IMG_1891.JPG Creosote Tears (2021-23) - Arden Cone "Tabula Rasa," 2022, acrylic and Venetian plaster on wood panels, 6.25"x48" (left), 6.25"x58.5" (middle), 6.25"x48" (right) https://static1.squarespace.com/static/5a344ff9f9a61ed6e85cc42c/62b11686f600572fa38725d2/62b116cf799341026ee8b3f4/1655772882029/ Creosote Tears (2021-23) https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1655773000180-3QQKNLXHA1G5AY2Y8C4D/IMG_1915.JPG Creosote Tears (2021-23) - Arden Cone "The Mileage," 16"x35," Graphite and chalk on found tractor tire tube https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1655772999323-B9HC4GLKW1OPXF8V8GKK/IMG_1914.JPG Creosote Tears (2021-23) - Arden Cone "The Mileage," detail, 16"x35," Graphite and chalk on found tractor tire tube https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1654544201673-8T4OFF3MC54820H4LG8Q/IMG_1896.JPG Creosote Tears (2021-23) - Arden Cone "Tabula Rasa," detail, 2022, acrylic and Venetian plaster on wood panels, 6.25"x48" (left), 6.25"x58.5" (middle), 6.25"x48" (right) https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1654544123373-L05ZC41SWINUM0OIZLIK/IMG_1895.JPG Creosote Tears (2021-23) - Arden Cone "Tabula Rasa," detail, 2022, acrylic and Venetian plaster on wood panels, 6.25"x48" (left), 6.25"x58.5" (middle), 6.25"x48" (right) https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1655773013559-ML1L2ZQ5S372UTND29N1/IMG_1913.JPG Creosote Tears (2021-23) - Arden Cone "The Mileage," detail, 16"x35," Graphite and chalk on found tractor tire tube https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1668795321873-FP6JAJH5MGQFY84TGTK8/image-asset.jpeg Creosote Tears (2021-23) - Arden Cone “Encroaching on the Devil’s Rope,” 2022, Graphite, spray adhesive, spray paint, gold leaf, glass, and paper, 16”x16” https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1668795480393-MAM3RK7DUF7BR9GY7I75/image-asset.jpeg Creosote Tears (2021-23) - Arden Cone Encroaching on the Devil’s Rope,” detail, 2022, Graphite, spray adhesive, spray paint, gold leaf, glass and paper, 16”x16” https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1674429155214-M7Q9YUQPJCW98ACEQ3TW/image-asset.jpeg Creosote Tears (2021-23) - Arden Cone (Left:) "Scorched Earth Policy" 2022, 42"x41," Acrylic and spray paint on styrofoam (Right:) "Face Yourself," 2022, 42"x41," Acrylic and spray paint on styrofoam https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1674429400652-C9DZ9EY88Q4HHL7MWKI5/image-asset.jpeg Creosote Tears (2021-23) - Arden Cone "Face Yourself," 2022, 42"x41," Acrylic and spray paint on styrofoam https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1674429315531-A6G2F75RIB840W2VKSY1/image-asset.jpeg Creosote Tears (2021-23) - Arden Cone "Scorched Earth Policy" 2022, 42"x41," Acrylic and spray paint on styrofoam https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1654947199170-0HORVXCNCIRW1AUAHQJ4/IMG_1905.JPG Creosote Tears (2021-23) - Arden Cone “Tessellation (Investigation),” 2022, Acrylic, graphite and chalk on canvas, 34”x18” https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1676644495117-EZURFHRYGT95R66GE5N8/image-asset.jpeg Creosote Tears (2021-23) - Arden Cone Sampling of Fenceposts 1974-2023 (0.764/95 Represented Acres), Recorded February 2023,” 2023, acrylic on canvas, 65”x71” https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1676645090779-2OXURCZ407DUCV7LPD6U/fenceposts+%282%29.jpg Creosote Tears (2021-23) - Arden Cone Sampling of Fenceposts 1974-2023 (0.764/95 Represented Acres), Recorded February 2023,” 2023, acrylic on canvas, 65”x71” https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1676645223540-MSQTKYDWNHW6IK4P4IT4/fenceposts+%283%29+copy.jpg Creosote Tears (2021-23) - Arden Cone Sampling of Fenceposts 1974-2023 (0.764/95 Represented Acres), Recorded February 2023,” detail, 2023, acrylic on canvas, 65”x71” https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1676645538661-2A2DYZWERTXL2GBG98JZ/fenceposts+%284%29+copy.jpg Creosote Tears (2021-23) - Arden Cone Sampling of Fenceposts 1974-2023 (0.764/95 Represented Acres), Recorded February 2023,” detail, 2023, acrylic on canvas, 65”x71” https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1666850464453-9TXFSDMO648NHOA07S5N/image-asset.jpeg Creosote Tears (2021-23) - Arden Cone “Passages,” 2022, acrylic and spray lacquer on stretched tractor tire tube, 8”x36” https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1668799202909-MX5JMYKX3VGO9GPHRNHZ/IMG_2024.JPG Creosote Tears (2021-23) - Arden Cone “Passages,” detail, 2022, acrylic and spray lacquer on stretched tractor tire tube, 8”x36” https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1666850651500-90LYVT1Y0S2UPZVF4E75/IMG_2016.JPG Creosote Tears (2021-23) - Arden Cone “Passages,” detail, 2022, acrylic and spray lacquer on stretched tractor tire tube, 8”x36” https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1668820140308-QRKFYCK279QKKHXOVB66/IMG_1899.JPG Creosote Tears (2021-23) - Arden Cone “They Never Tread Lightly,” 2022, Graphite on found tractor tire tube, 20”x21” https://www.ardencone.com/ardencone2024 daily 0.75 2025-09-02 https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1701388265500-WSXTFPGYQD5NG1980JIP/image-asset.jpeg Congressional Immunity (2023-24) - Arden Cone “This is Treason,” 2023, oil and spray paint on panel with cashmere scarves, 43”x81” https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1701388265500-WSXTFPGYQD5NG1980JIP/image-asset.jpeg Congressional Immunity (2023-24) - Arden Cone “This is Treason,” 2023, oil and spray paint on panel with cashmere scarves, 43”x81” https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1701388532565-NE5Y0N9Y78TRDQW0FM8O/image-asset.jpeg Congressional Immunity (2023-24) - Arden Cone “This is Treason,” detail, 2023, oil and spray paint on panel with cashmere scarves, 43”x81” https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1690304424343-N6B3B8J411WE0T75TZY3/columbus+chains+detail.jpg Congressional Immunity (2023-24) https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1655773413648-PW2N4JCOU3P17J2MNCCI/hallowed+ground+edit.jpg Congressional Immunity (2023-24) - Arden Cone “Don’t Tread on Hallowed Ground (US Capitol Building, Statuary Hall,)” 2021, Oil, spray paint and red clay on panel, 28” x 28” https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1655773412948-OFTB6SFPRVP3XET3JT8F/hallowed+ground+detail.jpg Congressional Immunity (2023-24) - Arden Cone “Don’t Tread on Hallowed Ground (US Capitol Building, Statuary Hall,)” detail, 2021, Oil, spray paint and red clay on panel, 28” x 28” https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1703029296912-2P77T3TCFUA6SL17QPSS/image-asset.jpeg Congressional Immunity (2023-24) - Arden Cone “Congressional Immunity,” detail, dimensions variable, 2023, Installation documentation: three of six 36”x36” panels, oil on wood panel https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1703029369976-LQ9UL32JJF8TFZ1I7NBS/image-asset.jpeg Congressional Immunity (2023-24) - Arden Cone “Congressional Immunity,” detail, dimensions variable, 2023, Installation documentation: three of six 36”x36” panels, oil on wood panel https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1740797972829-BJG30TDYFVTR0MS7ULTA/IMG_2632+copy.jpg Congressional Immunity (2023-24) https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1693036320727-C2KMPTBOK3SOOYUGQWDK/image-asset.jpeg Congressional Immunity (2023-24) - Arden Cone “Congressional Immunity,” detail, dimensions variable, 2023, Installation documentation: one of six 36”x36” panels, oil on wood panel https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1690304565786-MOLBOPZKKYVLPMAS4Z1X/columbus+doors+chains.jpg Congressional Immunity (2023-24) - Arden Cone “Congressional Immunity,” detail, dimensions variable, 2023, Installation documentation: one of six 36”x36” panels, oil on wood panel https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1690304517610-KVXN9TELJ5LRJIUOO1XR/columbus+doors+tear+gas.jpg Congressional Immunity (2023-24) - Arden Cone “Congressional Immunity,” detail, dimensions variable, 2023, Installation documentation: one of six 36”x36” panels, oil on wood panel https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1730086475572-I35KZNWO6SPCZM8BK8K0/tribute+reduced.jpg Congressional Immunity (2023-24) - Arden Cone "Tribute," 2024, Oil on panel, 33.75"x33.75" https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1730085700471-4HO1KZRA4500FJ1DEJZT/image-asset.jpeg Congressional Immunity (2023-24) - Arden Cone "Tribute," detail, 2024, Oil on panel, 33.75"x33.75" https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1730086116649-65S21SWS945ITG7D9O70/IMG_2570.JPG Congressional Immunity (2023-24) - Arden Cone "Tribute," detail, 2024, Oil on panel, 33.75"x33.75" https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1730086476959-H9H850GKMTJ7BDEWJUKM/tribute+reduced+detail.jpg Congressional Immunity (2023-24) - Arden Cone "Tribute," detail, 2024, Oil on panel, 33.75"x33.75" https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1710034083260-F894PDXYZE6JJ49PXIUJ/image-asset.jpeg Congressional Immunity (2023-24) - Arden Cone “Trinket Dish (Jan. 7),” oil and spray paint on panel, 2024, 33.5”x 32” https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1710034540869-GC00TYYP08U36MRPX9JJ/image-asset.jpeg Congressional Immunity (2023-24) - Arden Cone “Trinket Dish (Jan. 7),” (detail), oil and spray paint on panel, 33.5”x32, 2024 https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1690304520490-EUW5MIFMFS7B2B7B9YEA/columbus+chains+detail.jpg Congressional Immunity (2023-24) - Arden Cone “Congressional Immunity,” detail, dimensions variable, 2023, Installation documentation: detail of one of six 36”x36” panels, oil on wood panel https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1703003033802-RVVLW93L4Y1JTKH5F20X/image-asset.jpeg Congressional Immunity (2023-24) - Arden Cone “Congressional Immunity,” detail, dimensions variable, 2023, Installation documentation: one of six 36”x36” panels, oil on wood panel https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1703003116391-WOK2YLORIUE9N4WCGNC5/image-asset.jpeg Congressional Immunity (2023-24) - Arden Cone “Congressional Immunity,” detail, dimensions variable, 2023, Installation documentation: detail of one of six 36”x36” panels, oil on wood panel https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1700337038689-Y2ON9I70OOI1D5YDXMG0/%28UPDATED+glass%29+IMG_2326+copy.jpg Congressional Immunity (2023-24) - Arden Cone “Congressional Immunity,” detail, dimensions variable, 2023, Installation documentation: one of six 36”x36” panels, oil on wood panel https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1690304475667-1CV191Z67EUJBMTJSTU3/columbus+isabella.jpg Congressional Immunity (2023-24) - Arden Cone “Congressional Immunity,” detail, dimensions variable, 2023, Installation documentation: one of six 36”x36” panels, oil on wood panel https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1690304560935-G0OLLHR7566UNU9Y1ONW/columbus+tear+gas+detail.jpg Congressional Immunity (2023-24) - Arden Cone “Congressional Immunity,” detail, dimensions variable, 2023, Installation documentation: detail of one of six 36”x36” panels, oil on wood panel https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1716232429200-9TJX5OX8CR10N4H5PGEZ/image-asset.jpeg Congressional Immunity (2023-24) - Arden Cone "Contents Unloaded from a Coat Pocket (Jan. 7),” 2024, Oil and spray paint on panel, 30.5"x33.75" https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1721843926510-Z2AYG4OZ0KBHKCZS1WYZ/image-asset.jpeg Congressional Immunity (2023-24) - Arden Cone From Sea to Shining Sea (Til selfish gain no longer strain) 2024, silver-tinted and etched glass, gouache on paper, and silver leaf wood frame, 25”x25”x2.5” https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1721844098079-R033GDYC9VLDELI8ZKQG/archtype3.JPG Congressional Immunity (2023-24) - Arden Cone From Sea to Shining Sea (Til selfish gain no longer strain), detail, 2024, silver-tinted and etched glass, gouache on paper, and silver leaf wood frame, 25”x25”x2.5” https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1721844034768-QYKHEFBYCR7JKHHWJJ8A/archtype+2.JPG Congressional Immunity (2023-24) - Arden Cone From Sea to Shining Sea (Til selfish gain no longer strain) , detail, 2024, silver-tinted and etched glass, gouache on paper, and silver leaf wood frame, 25”x25”x2.5” https://www.ardencone.com/dream-america daily 0.75 2025-03-20 https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1740799809792-ZD0MG1OOLLG7GVKOUSU7/M+6.png Dream, America Wall (Left): Rachel Ahava Rosenfeld-Dlatt Wall (Center + Right) Jason Patterson Floor (Left): Ben Winans Floor (Right): Arden Cone https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1740799809792-ZD0MG1OOLLG7GVKOUSU7/M+6.png Dream, America Wall (Left): Rachel Ahava Rosenfeld-Dlatt Wall (Center + Right) Jason Patterson Floor (Left): Ben Winans Floor (Right): Arden Cone https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1740799072421-2ITBJZGV3KC347BQ0ZMV/M+1.png Dream, America - M 1.png https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1740799869650-MEMN32XZ38ADGGXFB5B5/M+7.png Dream, America Wall (Left): Jason Patterson Wall (Right): Arden Cone Floor: Ben Winans https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1740800441977-EALV6A3NW97CQRLKNM2A/BT+1-2.png Dream, America Wall (Left): Arden Cone Wall (Middle): Allison Rae Johnson Wall (Right): Rachel Ahava Rosenfeld-Dlatt https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1740799748248-9OLSFA01M0HMU07NEIDB/BT+AJ.png Dream, America Allison Rae Johnson https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1740799746454-U84RSWIQYFKAABJ8YPAY/BT+JP+%26+BW.png Dream, America Wall (Left): Jason Patterson Wall (Right): Ben Winans + Morgan Thomas https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1740799820204-07S1IFAWSA1GGU7D5ALM/M+3.png Dream, America Wall (Left): Allison Rae Johnson Floor: Ben Winans Wall (Right): Ben Winans https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1740800121505-YP8D38QIS62G3JLYQGR2/M+AC+1-2.png Dream, America Wall: Arden Cone Floor: Arden Cone https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1740799897351-MA001U58YNPBIK3O7TLK/M+JP+3.png Dream, America Wall (Left and Right): Jason Patterson https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1740799916137-534HR3XJ8A9Q4G5DVD3P/M+RARD.png Dream, America Rachel Ahava Rosenfeld-Dlatt https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1740800534027-7ZVP876UYWVNSYKRAR03/BT+2-2.png Dream, America Wall (Left): Ben Winans Floor (Back Left:) Ben Winans Wall (Middle): Arden Cone Wall (Right): Allison Rae Johnson and Rachel Ahava Rosenfeld-Dlatt https://www.ardencone.com/past-is-prologue daily 0.75 2025-03-01 https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1740797354343-JICXN3CVXLU0G0IJPMDT/IMG_2580.JPG Past is Prologue https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1740797354343-JICXN3CVXLU0G0IJPMDT/IMG_2580.JPG Past is Prologue https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1740797972829-BJG30TDYFVTR0MS7ULTA/IMG_2632+copy.jpg Past is Prologue https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1740798001465-64O0E222EHTHY9WMCRWE/IMG_2606.JPG Past is Prologue https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1740798032461-16A68ZCRR71GUJ9V8HPE/IMG_2605.JPG Past is Prologue https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1740797922473-97U448EHZEZ8Q7VMH7TO/IMG_2595.JPG Past is Prologue https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1740797266750-7TPPWYGVIFL3224JRH2T/IMG_2581.JPG Past is Prologue https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1740797443075-GUBLHUI69IVNFGLQHTUM/IMG_2594.JPG Past is Prologue https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1740797630399-N8ZTTUEDGYYX8PHFNWX0/IMG_2588.JPG Past is Prologue https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1740797724635-VJMLGEA2SQ6TXB3U5QK4/IMG_2615.JPG Past is Prologue https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1740797796727-VIH0DA5T4Z54BWKE66PQ/IMG_2598.JPG Past is Prologue https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1740798226355-SCPH0YO7EBZ59NXNN322/IMG_2593.JPG Past is Prologue https://www.ardencone.com/times-witness daily 0.75 2025-03-20 https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1740798579594-Q3PIPBN5444PWZZIOB60/IMG_2167.JPG Time's Witness Wall (Foreground): Millicent Kennedy Walls (Background): Arden Cone https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1740798579594-Q3PIPBN5444PWZZIOB60/IMG_2167.JPG Time's Witness Wall (Foreground): Millicent Kennedy Walls (Background): Arden Cone https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1740798564393-N4VUGBL7B9AE89S9XJX5/IMG_2160.JPG Time's Witness Arden Cone https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1740798628263-PP48LGMZZCPW58A2JRTU/IMG_2153.JPG Time's Witness Arden Cone https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1740798591815-67GB2YK2DA008KZ04FX3/IMG_2163.JPG Time's Witness Wall (Left): Millicent Kennedy Walls (Middle + Right): Arden Cone https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1740798748266-60U630W976AABXHYENHU/IMG_2150.JPG Time's Witness Arden Cone https://www.ardencone.com/ardencone2025 daily 0.75 2026-03-16 https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1745415415391-CP8HEETIBHACRGO7VIEW/IMG_9861.jpeg Hits Different (2025-present) - Arden Cone A Woman’s World, 2025, 24”x24,” Oil on panel https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1745415415391-CP8HEETIBHACRGO7VIEW/IMG_9861.jpeg Hits Different (2025-present) - Arden Cone A Woman’s World, 2025, 24”x24,” Oil on panel https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1745415417927-Y25RIJPQVHW3BKQQQVUP/IMG_9860.jpeg Hits Different (2025-present) - Arden Cone A Woman’s World, detail, 2025, 24”x24,” Oil on panel https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1748824479396-S1P5FWU9K7YF9IV5S71O/iphone+photo+tools+border+1.jpg Hits Different (2025-present) Tools, 2025, Oil on panel, 28.75×33.25 https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1748824877102-2CZIJHDHCTZ6FB9MFWRR/tools+detail.JPG Hits Different (2025-present) Tools, (detail), 2025, Oil on panel, 28.75×33.25 https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1763259169938-0OAQB2QN7ZIVD89O88S0/iphone+photo+anxiety.jpg Hits Different (2025-present) Arden Cone, Anxiety, 2025, Oil on panel, 25”x33.75” https://static1.squarespace.com/static/5a344ff9f9a61ed6e85cc42c/68039cab31a8d1549cbf9cdc/68039cf43b83295e45cc3263/1773675799882/ Hits Different (2025-present) https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1763259553121-Z9QKX325K59RVXZOEHQA/iphone+photo+anxiety+detail+.jpg Hits Different (2025-present) Arden Cone, Anxiety (detail), 2025, oil on panel, 25”x33.75” https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1748824488927-VPWYH3TO2AJUJTBTH1ES/iphone+photo+hers+border.jpg Hits Different (2025-present) Hers, 2025, Oil on panel, 28.25×33.5 https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1748824859556-PZ5LB49H2WIV6CARMW2E/hers+iphone+photo+edit+detail.jpg Hits Different (2025-present) Hers, (detail), 2025, Oil on panel, 28.25×33.5 https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1748825644574-FB6SY97N8O88KC7ZPMTN/belt+ihpone+photo+border.jpg Hits Different (2025-present) The Belt, 2025, oil on panel, 28.25x2”x28.25” https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1748825988924-AWLVIMPMUCQDKZC3WMFT/iphone+photo+belt+detail.jpg Hits Different (2025-present) The Belt, (detail), 2025, oil on panel, 28.25x2”x28.25” https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1745067666963-FVRF86ZT1X1847GZ77F1/hers-border2+copy.JPG Hits Different (2025-present) - Arden Cone Hers, 2025, Oil on panel, 28.25×33.5 https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1769961306286-Y9LO9TEC1SX323IY24YT/resist.jpg Hits Different (2025-present) - The Resistance, 2026, Acrylic on cut paper, 8.5"x8.25" https://www.ardencone.com/pagecv daily 0.75 2025-04-19 https://www.ardencone.com/home daily 1.0 2026-03-16 https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/b4c34f76-6751-45a9-a27f-c60b3b6ac057/IMG_9860.jpeg Home https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/bcb356e9-9600-428d-b423-f60c051625a7/new+sculpture-copy.jpg Home - enter Arden Cone https://www.ardencone.com/artist-statement daily 0.75 2017-12-15 https://www.ardencone.com/contact daily 0.75 2024-09-05 https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/57a23e72-eeba-42ba-85bc-82535a947902/IMG_1995.JPG Artist Bio Photo: Kelsy Barbor Photography https://www.ardencone.com/writing daily 0.75 2024-04-19 https://www.ardencone.com/contact-2 daily 0.75 2026-01-08 https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/ca20f79d-2d73-4905-aaa6-cd19b5c2fdf0/IMG_2509.JPG Contact - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ardencone.com/writing-portfolio-update daily 0.75 2018-09-28 https://www.ardencone.com/news daily 0.75 2025-02-27 https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/79acbbcc-5a2b-4e6e-9fc3-c4548a393d3a/IMG_3631.jpg News - Event: Curator Talk at Hollins University’s Eleanor D. Wilson Museum March 6, 2025 from 6:00-7:00 (Roanoke, VA) Dream, America confronts the polarization felt throughout today’s American political system. Guest curator Arden Cone, Hollins class of 2012, writes, “An act of defiance turned experiment in democracy, the United States of America is a contradiction at work. While its founding documents rest in the National Archives, absolute and immutable, the checks and balances they outline exist as mere principles, susceptible to the whims of change… Though the nation’s archive is highly contested and evermore divisive, the artists in Dream, America speak to what is shared: our longing to repair the fractures within it. In doing so, they bring accountability to the front and center…” [Read More] https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/222b57eb-7fa5-4865-bc6b-4f3803fa5eb0/IMG_2665.jpeg News - Event: Artist Talk at Greenville Center for Creative Arts January 14, 2025, 6:00 to 7:00 PM (Greenville, SC) Tuesday, January 14th from 6-7 PM, GCCA will host an engaging ARTalk with Arden Cone, the artist behind Past is Prologue. In Past is Prologue, Arden Cone delves into the uneasy convergence of individual and collective trauma, using art to reflect on history’s lasting imprint. Cone encourages us to reconsider how history is remembered and reinterpreted. By investigating trauma through the physical and the symbolic, she offers a powerful commentary on the malleability of memory and the vital role it plays in shaping our collective future… [Read More] GCCA’s free ARTalk events are sponsored by @abacusplanninggroup and @sc_humanities. https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/96d92788-c8bb-4536-9aeb-4b4db86a0944/PastIsPrologue_Web+Image.jpg News - Solo Exhibition: Past is Prologue at Greenville Center for Creative Arts December 6, 2024- January 29, 2025/ Opening Reception: December 6, 2024, 6-9 PM (Greenville, SC) In Past is Prologue, Arden Cone delves into the uneasy convergence of individual and collective trauma, using art to reflect on history’s lasting imprint. The exhibition explores the power of memory through two distinct yet interconnected bodies of artwork—each of which contemplates the nature of history and its impact on present-day realities…. [READ MORE] https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/dd40d8d6-8889-443b-9fb7-65616626f6bd/Screen+Shot+2024-03-19+at+5.56.04+PM.png News - Forthcoming Group Exhibition Curated by Arden Cone: Dream, America at Hollins University’s Eleanor D. Wilson Museum February- April 2025 (Roanoke, VA) Dream America, an exhibition of six artists, including Arden Cone, Rachel Ahava Rosenfeld-Dlatt, Allison Rae Johnson, Julia Kwon, Jason Patterson, and Benjamin Winans, will take place in early 2025 at Hollins University’s Eleanor D. Wilson Museum. Each of the artists in the exhibition approaches the American experience with eyes wide open, questioning themes as varied as gender, religion, race relations, and the legacy of colonialism by clearing the fog from the lens American history. Curator Arden Cone said of the project,” Curating Dream, America feels like due diligence, its scrutiny of the nation’s historical narratives an act of empowerment. Each artist I selected for the exhibition substantiates the claim that history is alive, malleable, and up for reexamination. Dream, America builds a more accurate memory of our collective past and shows that doing so is a form of activism. After all, we must safeguard our past to safeguard our future.” Exhibition programming will include a virtual panel with the artists (moderated by the curator), as well as workshop open to Hollins students. Dates to be announced. https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/ae982102-a7f4-4152-80db-5e5e8635a543/Screen+Shot+2024-03-13+at+9.30.08+PM.png News - Residency: Black Mountain College Museum + Arts Center Active Archive Residency April 8-18, 2024 (Black Mountain, NC) The BMC Active Archive Residency, a partnership between Black Mountain College Museum + Arts Center and Lake Eden Preserve, is a new program that invites artists to develop work inspired by the history and philosophy of Black Mountain College. The residency takes place at the historic site of the College, aiming to recreate the dynamic and creative atmosphere that made BMC a powerful incubator for new ideas. Throughout the residency artists have access to Black Mountain College Museum + Arts Center’s extensive collection of archival materials related to the history of the College, available for research and inspiration. This inaugural cohort of residents–made up of artists Jen Clay, Arden Cone, and Julian Jamaal Jones–reflects the experimental and collaborative ethos of the BMC legacy, working in diverse mediums and using multidisciplinary methodologies. This program is generously supported by the Windgate Foundation. https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/1695349598663-WJTDG26WCN7Z9CV4SBZB/Screen+Shot+2023-09-21+at+10.15.20+PM.png News - Exhibition: The 2023 11th Annual International FL3TCH3R Exhibit - Socially and Politically Engaged Art October 2-December 8, 2023 (Johnson City, TN) The international “FL3TCH3R Exhibit: Social & Politically Engaged Art” at East Tennessee State University’s Reece Museum faithfully continues to represent the spirit of social and political movements of the country and world. The 2023 exhibition runs Oct. 2nd-Dec. 8th. The 2023 juror will be Adam DelMarcelle, educator, artist, and activist. Due to the loss of his brother, Joey, to a Fentanyl overdose, DelMarcelle’s journey began through his use of traditional means of revolutionary art action and resistance, including poster bombing communities with screen-printed materials. When police destroyed this work, he turned to large-scale building projections, casting 80-foot-tall images onto the sides of buildings in his hometown. In 2018, he projected one such image onto the headquarters of Purdue Pharma, the makers of OxyContin. His work as an educator and artist has sent him traveling widely activating communities through outreach, activism, and educating anyone who will listen to the power art possesses to disrupt, resist, and document our human existence. DelMarcelle’s work has been extensively written about and exhibited and is included in several collections across the United States including the Library of Congress, The Cushing Whitney Medical Library at Yale University, Syracuse University, Letterform Archive and many more. He earned a BFA from Pennsylvania College of Art and Design and an MFA from the Vermont College of Fine Art. Currently, he serves as an Assistant Professor of Graphic Design at Wilson College https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/ee9f912c-437a-48f1-86c6-f6e359148d66/IMG_1914+copy.jpg News - Exhibition: New Language: Contemporary Abstraction at Gallery 263 October 12-November 4 2023 (Cambridge, MA) Juror Daniela Riviera selected 26 works from over 700 entries, including “The Mileage” by Arden Cone. Gallery 263’s call to artists describes abstraction: a language of color, form, shapes, and lines that is discovered through improvisations of material and technique. Artists often consider abstract expressionism as a springboard for a contemporary approach to translating the world into a non-objective language or one that is removed from representation. Abstraction has expanded its vernacular to consider digital processes and the influence of technology as a point of departure to translate observations and perceptual illusions. https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/9f9d4926-8819-431e-ad18-b37f67b4d4e5/gcca+for+website+upcoming.jpg News - In the Works: December 2024-January 2025 Solo Exhibition at Greenville Center for Creative Arts December 2024- January 2025 (Greenville, SC) Arden Cone is pleased to announce a solo exhibition of her work at Greenville Center for Creative Arts (GCCA). The exhibition (Title TBA) will include art from multiple bodies of work including Red State Blue Blood, Creosote Tears, and forthcoming bodies of works to be created during the remainder of 2023 and 2024. GCCA is located in the former Brandon Textile Mill in the Village of West Greenville, SC. For more information about the center, visit their website here, and for a virtual tour, click the button below. https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/e9879a5c-7c16-4628-a850-12ccfcf3150a/Screen+Shot+2023-05-24+at+11.15.29+PM.png News - Event: Archiving Histories and Decay: An Artist Conversation with Arden Cone and Jeff Arnal June 7, 2023 from 7:00- 8:30 PM (Tryon, NC) Upstairs Artspace will host “Archiving Histories and Decay: An Artist Conversation with Arden Cone,” a free community event on Wednesday, June 7, starting at 7 p.m. Cone is currently exhibiting Time’s Witness: Work by Arden Cone and Millicent Kennedy. She will be in conversation with Jeff Arnal, Executive Director of the Black Mountain College Museum + Arts Center (BMCM+AC) in Asheville, NC. Arnal has worked in the arts and nonprofit sector for the past two decades. He was appointed Executive Director of BMCM+AC in 2016. Previously, he worked as a Senior Specialist for the Pew Center for Arts & Heritage, a nonprofit grantmaking organization and knowledge-sharing hub for arts and culture in Philadelphia, PA. The public is invited to join us to learn about how Cone incorporates found objects and the complex stories behind her work. https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/743aba2d-f4ad-447a-93b9-49aa5685c27f/IMG_2167.JPG News - Exhibition: Time’s Witness: Work by Arden Cone and Millicent Kennedy at Upstairs Artspace May 6-June 16, 2023/ Opening Reception: May 13 from 4:30-7:00 PM (Tryon, NC) Tryon’s contemporary art gallery Upstairs Artspace will exhibit Time’s Witness: Work by Arden Cone and Millicent Kennedy May 6-June 16. This exhibition of 3-dimensional artwork “offers a deep and sometimes dark look into humanity by way of the objects we utilize, attach to, and eventually discard.” The opening reception will be Saturday, May 13, 5-7 p.m., and a Walk & Talk with the artists will start at 4:30 p.m., just prior to the reception. The found objects referenced or incorporated into this exhibition, resurrected from near disposal and raised into cultural significance, have outlived their intended use by years, or even decades. Time’s Witness speaks to history in relation to human artifacts, investigating what they alone, or we as a society, have weathered. Both artists acknowledge memory, and even trauma, by way of its touch upon objects, people, and societies. Through careful recording, obsessive documentation, and laborious artmaking processes, Millicent and Arden delve into the narratives told through the traces we leave behind. https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/4d178f3e-7d4f-443c-b048-e1eaf214923e/%5D.png News - Exhibition: G.R.I.T.S at Bells Gallery April 20- May 27, 2023 (Donthan, AL) G. R. I. T. S. is a group exhibition with artists Jasmine Best (NC), Jan Burleson (TN), Arden Cone (SC), Carlson H. Coogler (AL), Larkin Cook (TN), Claire Godbee (AL), Tara Stallworth Lee (AL), Jennifer McCohnell (AL), Tracie Noles-Ross (AL), Joy Alicia Raines (GA), Raegen Register (GA), and April Wright (TN) on view at Bells Gallery in Dothan, Alabama. This show explores feminism in the South. https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/bca6c761-3ee4-4652-9bd7-831272d759a9/Screen+Shot+2022-09-25+at+9.25.22+AM.jpg News - Review: The Washington Post reviews LOOKS GOOD ON PAPER at Pyramid Atlantic Art Center Read a review by Washington Post critic Mark Jenkins, with a thoughtful overview of LOOKS GOOD ON PAPER and a mention of Arden Cone’s “Dust Print I.” https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/2df14c82-ed92-4288-9265-cba9d327fe95/Screen+Shot+2022-09-25+at+8.57.45+AM.jpg News - Exhibition: LOOKS GOOD ON PAPER at Pyramid Atlantic Art Center August 19th through October 2, 2022/ Opening Reception: August 19 from 6-8 PM (Hyattsville, MD) LOOKS GOOD ON PAPER features 2D and 3D works on, in, and of paper. The exhibition showcases diverse practices and concepts in paper arts including trends and advances in the art of hand papermaking, politics of paper/papermaking, and explorations of the materiality of paper itself. The jurors—Cindy Cheng, Artist and MICA Professor; Kelly Taylor Mitchell, Artist and Educator; and Gretchen Schermerhorn, Pyramid’s Artistic Director— Pyramid’s Artistic Director—faced quite the challenge in reviewing and making selections from the 588 pieces submitted for consideration. In the end, they selected a group of 40 dynamic pieces from artists across the United States. Each Juror will also make a “pick” of their favorite piece in the exhibition, which will receive a ribbon (made of paper, of course!) and a cash award. These picks will be announced August 19th at the artist reception. The wide-ranging works will show paper pushed to the limits: stretched, manipulated, recycled, cast, or otherwise transformed so conceptually and visibly, it becomes something else altogether. “I think the scale of the works will be surprising to visitors. We often think of paper in its 8.5″ x 11″ size, but that notion is very much challenged by accumulation, transformation, or repetition in pieces such as in Xuewu Zheng’s “Zen Wall” of cast bricks,” remarks Schermerhorn. “It’s exciting to see how something as common as paper can be used to discuss current political events or philosophical conundrums, such as the piece by Kristen Tordello-Williams, “For Flags,” that explores the history of labor in a common American work garment.” The selected artists represent an array of approaches in art making, from traditional to experimental. Some are very fresh-on-the-scene of paper arts and some are accomplished, master-level artists with CVs that read like novels. Exhibiting Artists: Cathy Abbott (VA), Hannah O’Hare Bennett (WI), Nathaniel J. Bice (CA), Anne Burton (NE), Susan Casey (PA), Arden Cone (SC), IBe’ Bulinda Crawley (DC), Stephanie Damoff (NY), Priya Dave (MA), Mary Early (DC), Elaine Elledge (PA), Amze Emmons (PA), Andrea Sherrill Evans (MD), Lanie Gannon (TN), Reni Gower (VA), Melissa Harshman (GA), David Joo (VA), Nilou Kazemzadeh (MD), June Linowitz (MD), Christine Medley (PA), Emmett Merrill (MO), Samantha Modder (MO), Hannah Moog (VA), Phuong Nguyen (VA), Kimberly Obee (NH), Anela Oh (TN), Katie O’Keefe (MD), Mariceliz Pagán-Gómez (IA), Ransome (NY), Nicole Salimbene (MD), Katie Schutte (WI), Megan Singleton (MO), Briana Stanley (CA), Barbara Straussberg (PA), Kristen Tordella-Williams (MS), Jocmarys Viruet (PR), Isabella Whitfield (VA), Frances Vye Wilson (DC), Amy Yoshitsu (CA), and Xuewu Zheng (NY). https://images.squarespace-cdn.com/content/v1/5a344ff9f9a61ed6e85cc42c/8fb51422-9978-4b53-858c-9636349b5444/unnamed.jpg News - Exhibition: 35th September Competition at Alexandria Museum of Art July 8th through October 8th/ Opening Reception: July 8th from 6-8 PM (Alexandria, LA) The 35th September Competition presents works selected by the competition’s juror, Elizabeth Chubbuck Weinstein. The exhibition includes 38 artists from 18 states, including artists from Arizona, California, Florida, Georgia, Illinois, Indiana, Iowa, Louisiana, Maryland, Michigan, New York, North Carolina, Pennsylvania, Rhode Island, South Carolina, Texas and Utah. Competition Juror Elizabeth Chubbuck Weinstein is a consultant serving museums, arts organizations and private collectors, an independent art curator, and a freelance writer. She is the former Chief Curator and Director of Interpretation for the Louisiana Art & Science Museum (LASM) in Baton Rouge. Under her visionary leadership at LASM from 2002 to 2020, she transformed the museum into a nationally recognized venue for contemporary fine art. She produced over 100 dynamic exhibitions and related programming, many of them interdisciplinary approaches exploring the connections between art and science. 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